Formed in Lithuania, the Mettis Quartet celebrates its 10th anniversary in 2022 and has chosen to mark the occasion with fresh interpretations of two Beethoven quartets that bookend his career: the String Quartet No 4 in C minor, Op 18, No 4, and the String Quartet No 13 in B-flat major, Op 130, including the monumental ‘Grosse Fuge’, Op 133.
Beethoven’s first set of string quartets, the six Op. 18 Quartets, were written when he was a young man and may even include material from his earliest years in Bonn. The fourth is full of purposeful energy, forthright and immediate, with a Hungarian-inspired finale that shows the influence of Haydn.
Cut to 1825, two years before Beethoven’s death, and we find the composer in a more introspective frame of mind, wearied by deafness and the dramatic upheavals of his life, but responding by writing music of extraordinary profundity and beauty. Beethoven called the Op. 130 Quartet his “dear” quartet, but would never see it performed. In an expansive six movements, the work begins with a capricious opening movement and quicksilver scherzo, followed by a pastoral third movement and the ‘German dance’ of the fourth. Then comes the exquisite ‘Cavatina’. It is said that Beethoven was moved to tears when writing this movement: “Never did his music breathe so heartfelt an inspiration, and even the memory of this movement brought tears to his eyes”.
